PASCAKOLONIALISME DALAM NOVEL GADIS PANTAI KARYA PRAMOEDYA ANANTA TOER
Revani Aulia
Institut Pendidikan Indonesia, Garut, Indonesia
| ABSTRACT |
| This study aims to identify and describe hybridity, mimicry, and ambivalence in the novel Gadis Pantai by Pramoedya Ananta Toer. The research employs a descriptive qualitative approach using a library research method. The primary data source is the novel Gadis Pantai, while supporting data are obtained from books, journals, and relevant previous studies. The analysis focuses on the representation of the social structure of Javanese society in the early twentieth century, which is divided into several social strata, namely Europeans, Asians, and Indigenous people. The indigenous group is further divided into two social classes, namely the nobility or priyayi and the common people or kawula, reflecting social disparities between urban and rural communities. Under these conditions, coastal communities are portrayed as possessing strong cultural resilience and endurance. The harsh life of fishermen is accepted as part of their collective identity. The findings indicate that the novel reflects the complexity of colonial identity through practices of cultural hybridity, symbolic mimicry, and the ambivalent attitudes of its characters in a critical, contextual, and sustained manner within postcolonial studies of modern Indonesian literature. |
| Keywords:Ambivalence; Mimicry; Gadis Pantai; Hybridity; Postcolonial |
REFERENCE
Anggraini, E. A. (2019). Posmodernisme dan Poskolonialisme dalam Karya Sastra.https://journal.unas.ac.id/pujangga/article/view/500
Bhaba, H. K. (1994). Remembering FANON; Self, Psyche and the Colonial Condition dalam P. William dan L. Chrisman (eds.), Colonial Discourse and Postkolonial Theory.
- K. A. Wardani (2019). Mimikri dan Hibridias Novel Para Priyayi (Kajian Poskolonial).https://ejournal.undiksha.ac.id/index.php/JPPSH/article/view/15972
Marshall, Catherine & Gretchen B. Rossman. 2006. Designing Qualitative London: Sage Publications.https://books.google.co.id/books?hl=id&lr=&id=-zncBQAAQBAJ&oi=fnd&pg=PP1&dq=Marshall,+Catherine+%26+Gretchen+B.+Rossman.+2006.++Designing+Qualitative+++London:+Sage+Publications.++Research.&ots=LhkarIVtaS&sig=T7L6UCSKJEznP7pU_16glpXwRLY&redir_esc=y#v=onepage&q&f=false
Nurgiyantoro, B. (2018). Teori pengkajian fiksi. UGM press.https://books.google.co.id/books?hl=id&lr=&id=p4JqDwAAQBAJ&oi=fnd&pg=PA1&dq=(Nurgiyantoro,+2018:+10&ots=OYGg56uulM&sig=4QaiF8e8TksEMV3Bprl9tXyMwhE&redir_esc=y#v=onepage&q=(Nurgiyantoro%2C%202018%3A%2010&f=false
Nasrullah, N., Pawi, A. A. A., & Hassan, U. H. A. (2025). Poskolonialisme dan Ekologi Pascakolonial: Sebuah Tinjauan Pustaka. Journal of International and Local Studies, 9(1), 1-11. https://journal.unibos.ac.id/jils/article/view/4747
Nurhadi, N. (2011). Bentuk-Bentuk Poskolonialitas Di Indonesia Mutakhir Pada Majalah Tempo. LITERA, 10(1). https://jurnal.uny.ac.id/index.php/litera/article/view/1169
Rokhmah, N. I. A., & Wardani, E. N. (2023). Post-Kolonialisme Perempuan dalam Novel Gadis Pantai dan Film The Last Princess (Kajian Intelektualitas).https://ejournal.umm.ac.id/index.php/kembara/article/view/23518.
Shofiani, A. K.A., & Fadhilasari. I. (2022). Pascakolonialisme Tokoh-Tokoh Dalam Novel 1998 Karya Ratna Indraswari Ibrahim.https://ojs.uho.ac.id/index.php/BASTRA.
Sultoni. A., & Utomo. W. H. (2021). Hibriditas, Mimikri, dan Ambivalensi dalam Cerpen Kupata dan Meneer Chastelein Karya Rosyid H. Dimas: Kajian Poskolonial.https://journal.stkipsingkawang.ac.id/index.php/JP-BSI/article/view/2428.
Singh, J. G. (2009). Colonial narratives/cultural dialogues: ‘Discoveries’ of India in the language of colonialism. Routledge.
Toer, Pramoedya Ananta. (2003). Gadis Pantai. Jakarta: Lentera Dipantara.
Warren, A., & Wellek, R. (2011). Teori Edebiyat. Çev. Ö. Faruk Huyugüzel, Dergah Yayınları, İstanbul.
Wibisono, G. (2018). Identitas ganda dalam masyarakat pascakolonial. Jurnal Kajian Budaya, 13(1), 45–56.
Young, R. J. C. (2001). Postcolonialism: An Historical Introduction. Blackwell Publishers, Oxford.